Morrell 153
unrecognized, and disrespected—and no “good” transsexual is permanently secure, for any
acceptance that we are awarded by our oppressors is merely loaned to us.
Despite the successes of the women’s liberation movement on both a cultural and structural
level in the 1960s and 1970s, the gender industry was “seemingly untouched,” shored up as it
was by the pretenses of objective scientific pursuit and the backing of the dominant ideology,
and it “reified normative, oppressive constructions of gender roles” even as the world had a
revolution outside (Irvine 278). These reified normative, oppressive constructions of gender roles
were expended fully on their clientele, for whom the feminist fight to be less ladylike wasn’t
necessarily an appealing or inclusive option. The strength of trans-exclusion within the women’s
liberation movement led many feminists to turn several patriarchal logics against their own kind:
even cissexual women fell in the crosshairs as feminists judged each other’s physical
appearances, personal histories, and sexualities harshly in an effort to root out “traitors,” and this
was on top
of the proliferation of paranoid prophecies about body-snatching transsexual
robo-women. Both the invention of transsexuality and the women’s liberation movement incited
deep ideological crises in what “sex” was
, what “gender” was
, and what it meant to be
a
“woman,” and these were crises that needed to be resolved somehow.
The Frankenstein films of
the post-war era, especially the Bride narratives, provide a structure for understanding,
interpreting, and unraveling the instability and explosive potential of these categories. Trans
women specifically were novel horrors of science gone too far, tabloid material, modern marvels,
blond bombshells, ugly fags, success stories, laughing stocks, mutilation victims, sex impostors,
insidious infiltrators, caricatures of femininity, botches, passing, non-passing, artificial,
constructed, lovely, successful, failed; so broad and deep was their symbolic potential during this