5. Meeropol’s poem was inspired by a photograph of the double lynching that Dr. Cameron
survived, which took place not in the South, but in Marion, Indiana in 1930. Why, then,
do you think the song emphasized lynching violence in the South? How does “Strange
Fruit” fit in with the long history of anti-lynching activism? See pages 20, 21, 42.
6. Where did Billie Holiday choose to sing “Strange Fruit” and why did she need to choose
these spots carefully? How did the audience react, depending on their race or the
location she chose to perform? Who do you think Billie was singing the song for? Why
did she choose to end her sets with it? See pages 27, 63, 64, 70, 72, 74, 76, 91, 118.
7. How did the context of WWII and the Red Scare affect “Strange Fruit”’s reception and
popularity? How did foreign audiences react? See pages 65, 68, 70, 81, 96-97.
8. Have you seen other documentaries, movies, or read other books that tell this history?
How does this book compare to those other sources?
9. What do you make of the debate in Strange Fruit about whether or not Billie understood
the nature of the song? Or about the debate over whether people should cover it or
leave it to Billie? See pages 29-30, 83, 120, 126.
“Strange Fruit”
Southern trees bear a strange fruit,
Blood on the leaves and blood at the root,
Black body swinging in the Southern breeze,
Strange fruit hanging from the poplar trees.
Pastoral scene of the gallant South,
The bulging eyes and the twisted mouth,
Scent of magnolia sweet and fresh,
And the sudden smell of burning flesh!
Here is a fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for a tree to drop,
Here is a strange and bitter crop.