10 | NDWorks | March 2017
For tickets to events at the DeBartolo Performing Arts Center, visit performingarts.nd.edu and create an account or log in to view
faculty/staff discounted ticket prices, or contact the ticket office, 631-2800. Ticket prices listed are the faculty/staff rate.
MUSIC
South Bend Youth Symphony
Concert and Gala
4 p.m., Sunday, Feb. 26; $17
Leighton Concert Hall
The South Bend Youth Symphony Or-
chestras (SBYSO) will present its third
annual gala concert. This performance
will feature both the Concert Orchestra
and Symphony Orchestra ensembles.
The Concert Orchestra will begin with
music from “The Hobbit”; Symphony
Orchestra was given special permis-
sion by Howard Shore to be the first
youth symphony ever permitted to per-
form music from “Lord of the Rings:
The Fellowship of the Ring.” This will
also involve a collaboration with the
Penn High School choir.
Vignoles and Ainsley
Department of Music
7 p.m., Saturday, March 4; $6
Leighton Concert Hall
The great British lyric tenor John Mark
Ainsley and world-renowned pianist
Roger Vignoles will perform a recital
of classical songs by Charles Gounod,
Francis Poulenc and Benjamin Britten,
culminating with Robert Schumann’s
masterpiece Dichterliebe (“Poet’s
Love”). Ainsley is renowned for his
interpretations of Baroque music
(Monterverdi, Purcell, Bach); of
Mozart’s operas and 20
th
-century
dramatic works by Britten, Janacek
and Henze; and of the song repertory.
Roger Vignoles regularly accompanies
the world’s greatest singers (Kiri Te
Kanawa, Susan Graham, Bernarda
Fink, Anne Sofie von Otter and many
more) and instrumentalists. With his
many recordings and engagements
at the world’s best concert halls, he
is acknowledged as one of the world’s
greatest accompanists.
Philharmonia Quartett Berlin
Presenting Series
2 p.m., Sunday, March 5; $32
Leighton Concert Hall
Since their foundation in 1985, the
Philharmonia Quartett Berlin has been
a world-renowned quartet, especially
known for their interpretations of Bee-
thoven and Shostakovich. The quartet
has an extensive repertoire that spans
from the Classical Era to contem-
porary works. In our final Beethoven
program, return to Beethoven’s late
period for a performance of one of his
Op. 132 quartets.
Haydn’s “London” Symphony
South Bend Symphony Orchestra
2:30 p.m., Sunday, March 19; $25
Leighton Concert Hall
This performance in the June H.
Edwards Chamber Series features
the South Bend Symphony Orchestra,
conducted by Carmen-Helena Tellez of
Sacred Music at Notre Dame.
Kronos Quartet with Wu Man
Presenting Series
7:30 p.m., Saturday, March 25; $32
Leighton Concert Hall
Teddy Ebersol Endowment for Excel-
lence in the Performing Arts
Inspired by an 18th-century Anhui
province house, the 50-minute work
is a travelogue of Chinese history,
complete with costume changes,
visual projections, props and heavy
metal shredding on an electric pipa.
Beginning with 19th-century moun-
tain dances, the high concept and
cross-cultural piece advances to jazzy
1930s Shanghai and the horrors of
the Sino-Japanese war to Chairman
Mao and then contemporary China.
Evenings of moments like this are
signature Kronos Quartet. That they
also contain humor is all the better.
THEATER
I and You
Department of Film, Television and
Theatre
7:30 p.m., Wednesday–Friday, March
1-3; $12
2:30 p.m. and 7:30 p.m., Saturday,
March 4
2:30 p.m., Sunday, March 5
Decio Theatre
Written by Lauren Gunderson. Drawn
together by a poetry assignment, two
high school classmates spark an
unexpected connection.
Junie B.’s Essential Survival
Guide
Presenting Series
Family Show Series
11 a.m. and 2 p.m., Saturday, March
11; $10
Decio Theatre
Now that Junie B. Jones is an expert
first-grader, who better to write
the book on everything you need to
know? From bus rules to backpacks,
carpools to cookies, Juniper Beatrice
and friends deliver big laughs along
with the final silly word on surviving
school in style. Funny, strong-willed
and prone to mishaps, Junie B. shows
us all how school is sometimes scary,
sometimes super-fun and always
something to sing out loud about!
CINEMA
Black Girl (La noire de ... )
(1966)/Borom Sarret (1963)
Classics at the Browning
8 p.m., Wednesday, March 1
Ousmane Sembène, made his feature
debut in 1966 with the brilliant and
stirring Black Girl (La noire de ... ).
Sembène transforms a deceptively
simple plot—about a young Senega-
lese woman who moves to France to
work for a wealthy white couple and
finds that her life becomes a figurative
and literal prison—into a complex,
layered critique on the lingering
colonialist mindset of a supposedly
postcolonial world. Featuring a moving
central performance by Mbissine
Thérèse Diop, Black Girl is a harrowing
human drama as well as a radical
political statement—and one of the
essential films of the ‘60s. Black
Girl will be preceded by Sembène’s
first film, Borom Sarret, a short piece
focusing on the life of a cart driver in
Dakar. Free for Notre Dame students.
Sponsored by the Meg and John P. Bro-
gan Endowment for Classic Cinema.
Pather Panchali (1955)
Classics at the Browning
3 p.m., Saturday, March 4
Browning Cinema
Directed by Satyajit Ray
With Subir Banerjee, Karuna Banerjee,
Kanu Banerjee, Uma Das Gupta
Not Rated, 125 minutes, DCP
Bengali with English subtitles
With the release in 1955 of Satyajit
Ray’s debut, Pather Panchali, an
eloquent and important new cinematic
voice made itself heard all over the
world. A depiction of rural Bengali life
in a style inspired by Italian neore-
alism, this naturalistic but poetic
evocation of a number of years in the
life of a family introduces us to both
little Apu and, just as essentially, the
women who will help shape him: his
independent older sister, Durga; his
harried mother, Sarbajaya, who, with
her husband away, must hold the
family together; and his kindly and
mischievous elderly “auntie,” Indir—
vivid, multifaceted characters all. Free
for Notre Dame students. Sponsored by
the Meg and John P. Brogan Endow-
ment for Classic Cinema.
Aparajito (1956)
Classics at the Browning
3 p.m., Sunday, March 5
Directed by Satyajit Ray
With Karuna Banerjee, Kanu Banerjee,
Smaran Ghosal, Pinaki Sangupta
Not Rated, 110 minutes, DCP
Bengali with English subtitles
Satyajit Ray had not planned to make
a sequel to Pather Panchali, but after
the film’s international success, he
decided to continue Apu’s narra-
tive. Aparajito picks up with Apu and
his family having moved away from
the country to live in the bustling
holy city of Varanasi (then known as
Benares). As Apu progresses from
wide-eyed child to intellectually curi-
ous teenager, eventually studying in
Kolkata, we witness his academic and
moral education, as well as the grow-
ing complexity of his relationship with
his mother. This tenderly expressive,
often heart-wrenching film, which won
three top prizes at the Venice Film
Festival, including the Golden Lion,
not only extends but also spiritually
deepens the tale of Apu. Free for Notre
Dame students. Sponsored by the Meg
and John P. Brogan Endowment for
Classic Cinema.
The World of Apu (Apu Sansar)
(1959)
Classics at the Browning
8 p.m., Wednesday, March 8
Directed by Satyajit Ray
With Soumitra Chatterjee, Sharmila
Tagore, Alok Chakraborty
Not Rated, 106 minutes, DCP
Bengali with English subtitles
This extraordinary final chapter in
Ray’s “Apu Trilogy” brings our protag-
onist’s journey full circle. Apu is now
in his early 20s, out of college, and
hoping to live as a writer. Alongside
his professional ambitions, the film
charts his romantic awakening, which
occurs as the result of a most unlikely
turn of events, and his eventual,
fraught fatherhood. Featuring soon to
be Ray regulars Soumitra Chatterjee
and Sharmila Tagore in star-making
performances, and demonstrating
Ray’s ever more impressive skills as
a crafter of pure cinematic imag-
ery, Apur Sansar is a moving conclu-
sion to this monumental trilogy. Free
for Notre Dame students. Sponsored by
the Meg and John P. Brogan Endow-
ment for Classic Cinema.
Blow Out (1981)
Classics at the Browning
8 p.m., Wednesday, March 22
Directed by Brian De Palma
With John Travolta, Nancy Allen, John
Lithgow, Dennis Franz
Rated R, 108 minutes, DCP
John Travolta gives one of his
greatest performances, as a movie
sound-effects man who believes he
has accidentally recorded a political
assassination. He enlists the help of
a possible eyewitness to the crime
(Nancy Allen), who may be in danger
herself, to uncover the truth. With its
jolting stylistic flourishes, intricate
plot, profoundly felt characteriza-
tions, and gritty evocation of early
‘80s Philadelphia, Blow Out is an
American paranoia thriller unlike any
other, as well as a devilish reflection
on moviemaking. Free for Notre Dame
students. Sponsored by the Meg and
John P. Brogan Endowment for Classic
Cinema.
ALSO AT THE BROWNING
Rusalka
Met Opera: Live in HD
1 p.m., Saturday, Feb. 25; $23
245 minutes (2 intermissions), Live
Broadcast
Kristine Opolais stars in a new
production of the opera that first won
her international acclaim, Dvorák’s
fairy-tale opera about the tragic water
nymph Rusalka. Sir Mark Elder con-
ducts Mary Zimmerman’s new staging,
which also stars Brandon Jovanovich
as the human prince who captures
Rusalka’s heart; Katarina Dalayman
as Rusalka’s rival, the Foreign Prin-
cess; Eric Owens as the Water Sprite,
Rusalka’s father; and Jamie Barton as
the duplicitous witch Ježibaba.
National Theatre Live:
Hedda Gabler (2017)
7 p.m., Thursday, March 9; $18
Directed by Ivo Van Hove
With Ruth Wilson
Not Rated, 210 minutes, Captured Live
Broadcast
Just married. Bored already. Hedda
longs to be free ... Hedda and Tesman
have just returned from their honey-
moon and the relationship is already
in trouble. Trapped but determined,
Hedda tries to control those around
her, only to see her own world unravel.
Tony Award-winning director Ivo van
Hove (A View from the Bridge) returns
to National Theatre Live screens
with a modern production of Ibsen’s
masterpiece. Sponsored by Brady
Endowment for Excellence for Live The-
atre Broadcasts.
La Traviata
Met Opera: Live in HD
1 p.m., Saturday, March 11; $23
153 minutes (1 intermission), Live
Broadcast
Sonya Yoncheva brings her acclaimed
interpretation of the doomed courtesan
Violetta Valéry to Live in HD audienc-
es for the first time, opposite rising
American tenor Michael Fabiano as her
lover, Alfredo. Thomas Hampson sings
one of his most acclaimed Met roles as
Giorgio Germont, Alfredo’s disapprov-
ing father, in a revival of Willy Decker’s
staging conducted by San Francisco
Opera music director Nicola Luisotti.
Idomeneo
Met Opera: Live in HD
1 p.m., Saturday, March 25; $23
Browning Cinema
260 minutes (2 intermissions), Live
Broadcast
James Levine conducts a rare Met
revival of Mozart’s Idomeneo, set in the
aftermath of the Trojan War. Jean-
Pierre Ponnelle’s classic production,
which has its first Met revival in over
a decade this season, stars Matthew
Polenzani in the title role. The cast
also includes Elza van den Heever as
Elettra, Nadine Sierra as Ilia, Alice
Coote as Idamante and Alan Opie as
Arbace.
Tickets for Browning Cinema
movies are $6 for faculty/staff,
$5 for those 65 and up, and free
for Notre Dame students, unless
otherwise noted on the website.
Visit performingarts.nd.edu for
more information or to purchase
tickets, or call the Ticket Office
at 631-2800.
MARCH2017
µ The World of Apu µ Rusalka
Philharmonia Quartett ç
Kronos Quartet ç